My first Cayin was the C5 amp. It did its job well, debuting unique branding, and sound. As far as performance goes, it was good, but not great and is a far cry from Cayin’s latest and greatest. The N6ii looks much better than the N6. And, while more difficult to use, its operating system is handsomer to the same degree.
Read moreRMAA: Astell & Kern SPM1000M 24-bit
In my latest YouTube video, I fawned all over Cowon’s Plenue D2 and I’m miffed. Miffed that, loaded or unloaded, the 2400$ SPM1000M shows a sizeable step back from Cowon’s little engine. And, in several categories (mainly loaded), the SPM1000M is worse than its older, bleeding-edge, sibling, the AK380. Sure, we’re splitting hairs- atoms even. Dynamic range differences between 110dB and 120, let alone 117dB and 121dB, are minuscule on a test bench, and positively homeopathic at the ear. And if you’re listening to music louder than 100dB, you’ll not be listening to anything for long. I doubt anyone even listens to sensitive earphones at iPhone maximum volumes. But if you do, note that matched to that output level, the SPM1000M certainly tests better than an iPhone SE, but apart from stereo crosstalk, not by leaps and bounds. And it hisses more.
Read moreRMAA: Cowon Plenue D2 24-bit
For three years I have both recommended and castigated Cowon’s original Plenue D. It has great battery life. It is small. It is robust. It plays loads of files. But its interface, abstruse from day one, got worse. And, through sensitive earphones, it hissed a lot more than most of the competition; in fact, it hissed more than some late-model Minidisk players and recorders. It held signal well under load, but lost quite a bit of stereo separation under loads both meagre and highly resistive. My mate, Ryuzoh, offered to mod mine. I can’t tell if it sounds better, and neither can he, but my unit is super unique. And it’s one I’ve kept because the plusses I mentioned above really bowled me over.
Read moreRMAA: Fiio M6 24-bit
Relevant links
RMAA: SONY ZX300 24-BIT
RMAA: COWON PLENUE J 24-BIT
RMAA: ASTELL&KERN AK70 MKII 24-BIT
RMAA: SONY NW-WM1Z 24-BIT
RMAA: GLOVEAUDIO A1 24-BIT
RMAA: HIFIMAN MEGAMINI 24-BIT
RMAA: ONKYO DP-S1 RUBATO 24-BIT
RMAA: ASTELL & KERN AK70 KAI (RYUZOH MOD) 24-BIT
RMAA: ASTELL&KERN AK70 24-BIT
RMAA: THE BIT AUDIO OPUS#1 24-BIT
RMAA: SHOZY ALIEN GOLD 24-BIT
RMAA: COWON PLENUE D 24-BIT
It’s fair to not expect much from such a comparatively diminutive DAP. And, while the M6 has a decent EQ and filter modes, it doesn’t test as well as an iPhone. It gets a bit louder, and hisses a bit more than an iPhone SE. But it also drives earphones and headphones better at normal to loud listening levels, shows little load stress, and keeps a charge for at least 12 hours. It’s a good player with some cool features, especially in the wireless realm.
Read moreRMAA: Sony ZX300 24-bit
Sane-ish price, beautiful industrial design, good performance, and an interface that embarrasses most of the competition, the ZX300 is a phenomenal DAP. Like the Sony NW-WM1Z it hisses, but not horribly. And, it doesn't break the 16-bit ceiling in any meaningful way. But it nails DSD decode and playback, runs smoothly through albums/songs/artists, and with an artful UI to boot. I love this thing.
Read moreRMAA: Cowon Plenue J 24-bit
The Plenue J makes about as little line and hiss noise as the Plenue D. It sounds great, holds signal well across most metrics, and is easy to use. It is more responsive than the Plenue D, slimmer, and has a slightly better screen.
Read moreRMAA: Astell&Kern AK70 MKII 24-bit
I love the AK70 MKII’s new volume pot. I dig its new lines. I even dig the new colour accents. However, I’m not ecstatic about its measured performance, especially when compared back to back with that of its predecessor. I can confirm that the AK70 gets similarly loud, that its boot up screen is smooth, and that, like its predecessor, its signal is cleanest at a setting of 136, where stereo crosstalk, which tops out around -87 at max volume, breaks -100dB. Of course, the MKI measures -118dB without load, and -75dB connected to an Earsonics SM2. As far as I can tell, that is the only improvement the MKII brings.
Read moreRMAA: Sony NW-WM1Z 24-bit
Outside it's gold, inside it's a mix. On high gain, the NW-WM1Z's single-ended out measures better than an iPod nano 7G, but not by much. And, it doesn't appear to get much louder than an iPhone 6. On high gain and in balanced mode, it owns the nano, sounding crisper and clearer. Either out is the sort of sound that goes really well with JVC's HA-FW02 and Astell & Kern's AKT8iE MKII and less well with mid-bright earphones like the Grado GR8/e and Beyerdynamic Xelento.
Read moreRMAA: HiFiman Megamini 24-bit
Relevant links:
RMAA: Onkyo DP-X1 24-bit single-ended and balanced — ohm image
RMAA: Fiio M3 24-bit
RMAA: iPhone 5 SE 24-bit
RMAA: iPhone 6 24-bit
RMAA: Fiio X3ii 24-bit
I love how Megamini sounds. I love its warm, bursting midrange. I love its texture and stereo detail. Its instrument positioning is excellent. At the best of times, it harks back to Fiio’s original X3- a player whose hellish UI left dents in my walls, but whose pleasing sound was then and still is a bookmark in what I consider perfect warmth. Unfortunately, Megamini hisses way more than the X3 ever did, and more in fact, than any player I’ve tested in about two years. In fact, its hiss is on par with an iPod video from 2005.
Read moreRMAA: Onkyo DP-S1 rubato 24-bit
Relevant links:
RMAA: Onkyo DP-X1 24-bit single-ended and balanced — ohm image
RMAA: Pioneer XDP-100R 24-bit — ohm image
RMAA: Astell&Kern AK70 24-bit — ohm image
RMAA: Astell & Kern AK70 Kai (Ryuzoh mod) 24-bit — ohm image
This thing sounds good. Real good. It really fits in a front pocket. I has a real hold switch. And a damn fine balanced output. That it costs just ~350$ in Japan and another Benjamin abroad is shocking.
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