Sharper and more contrasty at high magnifications, well-designed macro lenses rock the close-up. Or, at least that’s the typical apologetic. For the most part, it is true. The closer you get to, and the more you magnify a subject, the better corrected the optic has to be for macro work.
Read moreTongue twister Schneider Kreuznach
For the past half year, I've been using a single lens for about 99% of my work. That lens is 100mm and has an f-stop of f/5,6. It's from the tongue-twisting company in this video.
Thanks Thomas Tsai Photography.